Descriptions of Srimadbhagavatam

Abstract

The description of the tenth wing of Shrimad Bhagwat is poetic. Bhagwat is considered to be the self-fulfillment of Nigamkalpataru. It is said in Bhagwat itself.1 At the end of Panchadhyayi, Srishukadeva ji has called the nights served by Krishna as 'Sarva Sharatkavyakatharsashraya'. Therefore, the basis of the description of Rasaramanatmak nights is Kavyaras makeup, the poetic vibhavanubhavas are communicative bhavadis. In most of the poetic weapons, the support of the heroine is characterized and described in the form of concept and the hero in the form of rasashraya, but here in Gopi-Katha the opposite has happened. The anomaly that has occurred in this context is from a spiritual point of view. Therefore Bhagavatkara depicts Krishna in the form of support. At the beginning of the Ras-chapter, the Bhagavatkars, of course, describe Krishna in the Shlokanaya as Rasasraya. The depiction here is erotic. The bridegroom has met his bride after many days. He puts saffron on the cheeks of Priya Prachi Asha with his pleasant hands. Again the Bhagavatkars call Shashimandal 'Ramananabham' and mark the gentle 'Gobhiranjitan Vanam' of that Ramannabha Vidhu. The aura of his beloved is seen in Sudhanshu, he is also a widower.